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Pinktart is a lovely handwritten font with a natural and unique design will make your project more beautiful. The font is suitable for your branding project, printing, logos dan wedding.
Included:
Features:
by Yumnatype
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Loathing is a bold Display Font with its distinctive character that can be easily implemented in your various design projects . Loathing came with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more.
Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature • Alternate
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Courtside is a casual all caps handwritten font. It's easy to read and it has a playful feel to it at the same time. Get inspired by its simplistic charm and use it to brighten up any creative projects
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Hand Sworth a work that is purely a result of handwriting, has a natural characteristic. this is perfect for invitations, signatures, blogs, social media, business cards, product brands.
Hand Sworth has Stylistic standard, Stylistic Alternates and ligatures. and includes uppercase and lowercase letters, numbers and punctuation marks.
FILE INCLUDE
Open Type features can be accessed by using OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office.
special greetings for all, all of us all smoothly in running the routine
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Alyin font is my vision of street style.
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Introducing Kavo Sans Serif typeface - 4 weights
Kavo is clean, modern typeface with 4 weight, ligatures and multilingual support. It's a very versatile font that works great in large and small sizes.
Kavo is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image.
Feel free to contact me if you have any questions!
Mock ups and backgrounds used are not included.
Thank you! Enjoy!
Dihjauti /di:.'hjau.ti: | dee.'hyow.tee/, predominantly based off Dwiggin's Electra with shades of Palatino and Perpetua, is modern and stately. Like its inspirers, it has broad counters and spacing, which temper it and give it warmth, making it comfortable and well-suited for longer texts. It is balanced in all aspects, from its punctuation to its reference marks and symbols. Its design takes into consideration all extra characters for languages that few fonts support, such as African and First Nation. These extra characters, such as Edh, Esh, Gamma, Ezh, Yogh, the pharyngeal fricatives, the click consonants, which have added capital versions, the glottal stops, et cetera, actually look like they belong, as opposed to being afterthoughts. The italic incorporates a touch of Arrighi. It includes all transcription systems relevant to the Latin, Cyrillic, and Greek alphabets, as well as standard Coptic, plus extra characters for Teuthonista and First Nation. It also includes, to list a few, Egyptian-styled pictographs (where applicable), APL, a plethora of mathematical symbols and arrows, and a number of alternatives in the PUA. A Fontlog is included for referencing all additional characters.
Notes: 1) The superscript characters, modifier letters, and the numerators, are all part of the superscript table. 2) The bold versions of the font have some alternative/reversed characters; I did this because there is no difference in the math or punctuation symbols, i.e., the bold versions are not actually bold (with exceptions), which gives the font a better harmony. 3) The font uses anchors, which means that it will not align properly for linguistic use, or otherwise, without open type. 4) For those interested, Open or Libre Office can access all glyphs using: Insert > Special Character.