Ruslana Kolesnikova

Kenac is an elegant, fresh and modern serif typeface, with unusual yet functional shapes, that combines characteristics of Roman type with elements of calligraphy and Victorian style.

Its singular modulation and contrast between thick and thin strokes make it look great in titles. In order to ensure ease of use, the Kenac family includes only 5 weights while its matching italics provide contrast and make the font a harmonic choice for continuous text.

Kenac has a unique appearance that makes it ideal for editorial design such as book covers and magazine website's headers as well as brand identity design.

Thornton is a bold script that looks elegant when used for your design. It's also elegant and modern and works well with your design interests, be it for logos, branding names, posters, podcasts and so on.

Features 1.Uppercase & Lowercase 2.Numbers & Punctuation 3.Multilingual Support 4.Ligatures

CAPITALIZED, geometric, bold and round.

If the typo­grapher sees a font like that, it's enough to make his toes curl. But sometimes it just has to be that way.

Geometrically constructed fonts do not necessarily have to be pointed and angular; It also works consistently around. And if I say it consistently, then in this case, that's done consistently.

The basis for the BOULE is the circle. The letters are drawn with constant line width, the “corners“ and endings all have the same radius, the lines are all the same thickness.

The BOULE consists only of capitals. There is only one difference in the use of uppercase and lowercase letters: in the uppercase letters, the round letters are circular, while the lowercase letters are narrow.

The character set of the Boule contains all letters and accents to support the Western, Northern, Central and Eastern European languages with Latin alphabet.

The BOULE is not only very fat, it also runs very tight; that is, the glyphs are very close to each other. To avoid "holes" due to unfortunate letter combinations, the BOULE contains ligatures for FT, ST, TT and TZ.

There are also other versions of the font: BOULE Brillant on the one hand. In this version, simple highlights simulate a light incidence from the top right. These light edges give the font a decorative effect that makes it easy to think of wet sausages or balloons in some shapes.

And finally the BOULE Contour. As the name implies, it is the outer contour of the letters, combined with a shadow at the bottom left.

The name BOULE (French for ball) says it already: this font is globated. Therefore, it is also very suitable for all three-dimensional alienation effects. With simple light and shadow you can achieve a very convincing 3D effect with little effort.

Quincy's warm letterforms and medium contrast give any text a smooth, calming motion. Small variations and human touches add charm, with Quincy's boldest weights especially eloquent as large and medium display type.

Quincy CF pairs well with clean, text-friendly sans-serifs, such as Greycliff CF and Work Sans, or for even more contrast, try monospaced typefaces like Ellograph CF and Cartograph CF.

All typefaces from Connary Fagen include free updates, including new features, and free technical support.

A geometric sans serif typeface influenced by Bauhaus and the early modernist era. Precise shapes are optically adjusted to create a clear, natural typeface with excellent legibility. Corbert is a regular, self-evident design that works well across a wide range of applications.

Details include nine weights with matching italics and over 540 characters per style. Opentype features consist of five variations of numerals, including inferiors, superiors, fractions, alternative lowercase a, e and g, and language support covering Western, South, and Central Europe.

Dolphins is a unique serif font family consisting of 16 styles. It is equipped with alternative decorative letters to be able to handle most typographic applications ranging from branding to body copying with various weights and inherent readability.

Complete with decorative letters, it will be perfect and will look luxurious for many projects such as fashion, magazines, logos, branding, photography, invitations, quotes, blog headings, posters, advertisements, postcards, and more.

CAPITALIZED, geometric, bold and round.

If the typo­grapher sees a font like that, it's enough to make his toes curl. But sometimes it just has to be that way.

Geometrically constructed fonts do not necessarily have to be pointed and angular; It also works consistently around. And if I say it consistently, then in this case, that's done consistently.

The basis for the BOULE is the circle. The letters are drawn with constant line width, the “corners“ and endings all have the same radius, the lines are all the same thickness.

The BOULE consists only of capitals. There is only one difference in the use of uppercase and lowercase letters: in the uppercase letters, the round letters are circular, while the lowercase letters are narrow.

The character set of the Boule contains all letters and accents to support the Western, Northern, Central and Eastern European languages with Latin alphabet.

The BOULE is not only very fat, it also runs very tight; that is, the glyphs are very close to each other. To avoid "holes" due to unfortunate letter combinations, the BOULE contains ligatures for FT, ST, TT and TZ.

There are also other versions of the font: BOULE Brillant on the one hand. In this version, simple highlights simulate a light incidence from the top right. These light edges give the font a decorative effect that makes it easy to think of wet sausages or balloons in some shapes.

And finally the BOULE Contour. As the name implies, it is the outer contour of the letters, combined with a shadow at the bottom left.

The name BOULE (French for ball) says it already: this font is globated. Therefore, it is also very suitable for all three-dimensional alienation effects. With simple light and shadow you can achieve a very convincing 3D effect with little effort.